< Previous170John J. Fritscher, Ph.D. The New Statesman & Nation, XXXVIII (October 22, 1949), 451 . The New Statesman & Nation, XXXVIII (December 17, 1949), 723 . The New Yorker, XXIII (December 13, 1947), 50-54 . The New Yorker, XXXII (February 25, 1956), 90 . Newsweek, XXX (December 15, 1947), 82-83 . Saturday Review, XXX (December 27, 1947), 22-24 . Saturday Review, XXXIX (March 3, 1956), 22 . School and Society, LXVII (March 27, 1948), 241-43 . The Spectator, CLXXXIII (December 17, 1949), 123 . Theatre Arts, XXXII (January, 1948), 10-13 . Theatre Arts, XXXII (February, 1948), 35 . Theatre Arts, XXXII (April, 1948), 30 . Theatre Arts, XXXII (October, 1948), 21 . Theatre Arts, XXXIII (June, 1949), 44 . Theatre Arts, XXXIII (November, 1949), 14 . Theatre Arts, XL (April, 1956), 24 . Time, L (December 15, 1947), 85 . Time, XIV (October 31, 1949), 54 . Time, LXVII (February 27, 1956), 61 . Summer and Smoke Catholic World, CLXVIII (November, 1948), 161 . Catholic World, CLXXVI (November, 1952), 148-49 . Commonweal, XLIX (October 29, 1948), 68-69 . Forum, CX (December, 1948), 353-53 . The Nation, CLXVII (October 23, 1948), 473-74 . The New Republic, CXIX (October 25, 1948), 25-26 . The New Republic, CXIX (November 15, 1948), 27-28 . The New Yorker, XXIV (October 16, 1948), 51 . Newsweek, XXXII (October 18, 1948), 88 . Saturday Review, XXXI (October 30, 1948), 31-33 . Saturday Review, XXXV (May 10, 1952), 28 . School and Scoiety, LXVIII (October 30, 1948), 303-04 . The Spectator, CLXXXVII (December 7, 1951), 772 . Theatre Arts, XXXI (September, 1947), 11 . ©Jack Fritscher, Ph.D., All Rights Reserved HOW TO LEGALLY QUOTE FROM THIS WORKIntroduction171 Theatre Arts, XXXIII (January, 1949), 10-11 . Time, LII (October 18, 1948), 82-83 . Sweet Bird of Youth America, CI (April 4, 1959), 55-56 . Catholic World, CLXXXIX (May, 1959), 158-59 . Catholic World, CLXXXIX (June, 1959), 191-94 . The Christian Century, LXXVI (June 17, 1959), 726 . Hudson Review, XII (Summer, 1959), 255-60 . Life, XLVI (April 20, 1959), 71-73 . The Nation, CLXXXVIII (March 28, 1959), 281-83 . The New Republic, CXL (April 20, 1959), 21-22 . The New Yorker, XXXV (March 23, 1959), 90-92 . Newsweek, LIII (March 23, 1959), 26 . Saturday Review, XLII (March 28, 1959), 26 . Saturday Review, XLII (April 18, 1959), 29 . Theatre Arts, XLIII (May, 1959), 21-22 . Time, LXXIII (March 23, 1959), 58 . Twenty-Seven Wagons Full of Cotton America, XCIII (Mary 14, 1955), 193 . Catholic World, CLXXXI (June, 1955), 227 . Commonweal, LXII (June 19, 1955), 255 . The New Republic, CXXXII (May 2, 1955), 22 . The New Yorker, XXXI (April 30, 1955), 69-71 . Saturday Review, XXXVIII (Mary 14, 1955), 26 . Theatre Arts, XXXIX (July, 1955), 17 . Time, LXV (May 2, 1955), 78 . You Touched Me! Catholic World, CLXII (November, 1945), 87-88, 166-67 . Commonweal, XLII (October 12, 1945), 623 . ©Jack Fritscher, Ph.D., All Rights Reserved HOW TO LEGALLY QUOTE FROM THIS WORK172John J. Fritscher, Ph.D. Free World, X (November, 1945), 87-88 . The Nation, CLXI (October 6, 1945), 349-50 . The New Republic, CXIII (October 8, 1945), 469 . The New Yorker, XXI (October 6, 1945), 48 . Theatre Arts, XXIX (November, 1945), 618-21 . Theatre Arts, XXIX (December, 1945), 680 . Time, XLVI (October 8, 1945), 77 . © Jack Fritscher, Ph .D . & Mark Hemry Editor’s Note: Anyone caught co-opting or paraphrasing these concepts, facts, names, titles, word-coinage, and timelines without crediting Jack Fritscher as the precise source will be aggressively prosecuted to the full extent allowed by law and such violation will be publicly announced in print . Fair use of this material with proper credit is, of course, acceptable . For permission for quotation exceed- ing fair-use, which will always be gladly given, please EMail Jack Fritscher at j_fritscher@earthlink .net or use the EMail button found on home web pages . --Mark Hemry, Editor ©Jack Fritscher, Ph.D., All Rights Reserved HOW TO LEGALLY QUOTE FROM THIS WORKNext >