< Previous150John J. Fritscher, Ph.D. The Kingdom of Earth . Esquire (February, 1967) . The Knightly Quest and Other Stories . New York: New Directions, 1967 . Lord Byron’s Love Letter (with Raffaello de Barfield; opera in one act, libretto by Tennessee Williams) . New York: Ricordi, 1955 . The Milk Train Doesn’t Stop Here Anymore . New York: New Direc- tions, 1964 . The Night of the Iguana . New York: New Directions, 1962 . Period of Adjustment . New York: New Directions, 1960 . One Arm and Other Stories . New York: New Directions, 1954 . Orpheus Descending with Battle of Angels . New York: New Direc- tions, 1958 . The Roman Spring of Mrs. Stone . New York: New Directions, 1950 . The Rose Tattoo in Three Plays of Tennessee Williams . New York: New Directions, 1964 . The Slapstick Tragedy: The Gnädiges Fräulein and The Mutilated. Esquire (August, 1965) . A Streetcar Named Desire . New York: New Directions, 1947 . Summer and Smoke in Two Plays by Tennessee Williams . New York: New Directions, 1959 . Sweet Bird of Youth in Three Plays of Tennessee Williams . New York: New Directions, 1946 . 27 Wagons Full of Cotton and Other One-Act Plays . New York: New Directions, 1946 . You Touched Me! (with Donald Windham) . New York: S . French, 1942 . Four Plays (The Glass Menagerie, A Streetcar Named Desire, Summer ©Jack Fritscher, Ph.D., All Rights Reserved HOW TO LEGALLY QUOTE FROM THIS WORKIntroduction151 and Smoke, Camino Real) . London: Secker and Warburg, 1956 . Three Plays (The Rose Tattoo, Camino Real, Sweet Bird of Youth) . New York: New Directions, 1964 . Two Plays (Eccentricities of a Nightingale, Summer and Smoke) . New York: New Directions, 1964 . B. Williams as Critic. “The Agent as Catalyst,” Esquire, LVIII (June, 1962), 216 . “Biographical Sketch of Carson McCullers,” Saturday Review, XLIV (September 23, 1961), 14-15 . “Critic says, ‘Evasion,’ Writer says ‘Mystery,’” New York Herald, Tri- bune (April 17, 1955) . “Five Fiery Ladies,” Life, L (February 3, 1961), 84-89 . “Foreword” to Sweet Bird of Youth in Three Plays . “Foreword” and “Afterword” to Camino Real in Three Plays . Tennessee Williams in Privately Recorded Interview of Irv Kupcinet Television Show of January 14, 1967 . “Tennessee Williams Presents His POV [Point of View],” New York Times Magazine (June 12, 1960) . “Questions without Answers,” New York Times (October, 1948), sec . 2, pp . 1, 3 . Secondary Sources A. General. Anonymous . “Angel of the Odd,” Time, LXXIX (March 9, 1962), 53-56 . ©Jack Fritscher, Ph.D., All Rights Reserved HOW TO LEGALLY QUOTE FROM THIS WORK152John J. Fritscher, Ph.D. ________ . “Celluloid Brassiere,” The New Yorker, XXI (April 14, 1945), 18-19 . ________ . “Lord Byron’s Love Letter,” Newsweek, XLV (January 31, 1955), 81 . ________ . “A Man Named Tennessee,” Newsweek, XLIX (April 1, 1957), 81 . ________ . “No Time like the Present,” (excerpts from Time) in Esquire, LIX (April, 1963), 58-59 . ________ . “Sobering Thoughts?” Theatre Arts, XL (June, 1956), 11 . ________ . “Suddenly, by Stages: State of Tennessee,” Theatre Arts, LXII (May, 1958), 10-11 . ________ . “Talk with the Playwright,” Newsweek, LIII (March 23, 1959), 75-76 . ________ . “Tennessee Williams,” American Annual (1956), 802 . ________ . “Tennessee Williams,” Collier’s Year Book (1956), 540 . ________ . “Tennessee Williams,” Current Biography, VII (Janu- ary, 1946), 58-61 . ________ . “T . Williams Descending,” America, XCVII (April 6, 1957), 4 . ________ . “Tennessee’s World,” Time, LXVII (June 25, 1956), 94 . ________ . “Unbeastly Williams,” Newsweek, LV (June 27, 1960), 96 . ________ . “Way Down Yonder in Tennessee,” Time, LXXI (March 3, 1958), 72 . ________ . “Winner: Season’s Best American Play,” Time, LXXI (March 3, 1958), 72 . Abirached, R . “La Descente d’Orphée à l’Athénée,” Études, CCCI ©Jack Fritscher, Ph.D., All Rights Reserved HOW TO LEGALLY QUOTE FROM THIS WORKIntroduction153 (1959), 381-85 . Adler, J . H . “The Rose and the Fox” in Louis Rubin and Robert Jacobs, (eds .) . South: Modern Southern Literature in Its Cultural Set- ting . New York: Doubleday, 1961, pp . 349-75 . Asselineau, Roger . “Tennessee Williams ou la nostalgie de la pureté,” Etudes Anglaises, X (1957), 431-43 . Astral, Ertem . “Tennessee Williams on Stage and Screen,” Disserta- tions Abstracts, XXII (1961, Pennsylvania), 1169-70 . Atkinson, Brooks . “Camino Real,” New York Times (March 29, 1953) . ________ . “Williams’ ‘Tin Roof,’” New York Times (November 22, 1956) . ________ . “Theatre: Early Williams,” New York Times (November 22, 1956) . ________ . “Virtuoso Theatre,” New York Times (March 31, 1957) . ________ . “Tattooing,” New York Times, (June 3, 1951) . ________ . “Streetcar’s Tragedy,” New York Times (December 14, 1947) . ________ . “Garden District,” New York Times (January 19, 1958) . ________ . “Theatre: Portraits of Corruption,” New York Times (March 11, 1959) . Baldwin, James . Nobody Knows My Name . New York: Dell, 1963 . Barnett, Lincoln Kinnear . “Tennessee Williams,” Life, XXIV (Feb- ruary 16, 1948), 113-114 . Beaton, Cecil Walter Hardy and Kenneth Tynan . Persona Grata . New York: Putnam, 1954, p . 96 . Bentley, Eric Russell . “Camino Real,” in The Dramatic Event . New York: Horizon Press, 1954, pp . 105-110 . ©Jack Fritscher, Ph.D., All Rights Reserved HOW TO LEGALLY QUOTE FROM THIS WORK154John J. Fritscher, Ph.D. Blair, Walter et al . The Literature of the United States . Chicago: Scott, Foresman and Co ., 1966 . Boyle, Robert . “Williams and Myopia,” America, CIV (November 19, 1960), 263-65 . Brooking, Jack . “Directing Summer and Smoke: An Existential Approach,” Modern Drama, II (1960), 377-85 . Brooks, Charles . “The Comic Tennessee Williams,” Quarterly Jour- nal of Speech, XLVI (1958), 257-81 . Brown, John Mason . “Southern Discomfort” in Dramatis Personae . New York: Viking, 1963, pp . 89-94 . ________ . “Saying it with Flowers” in As They Appear . New York: McGraw, 1952, pp . 161-66 . Brustein, Robert . The Theatre of Revolt . Boston: Little, Bron and Co ., 1964 . ________ . “Sweet Bird of Success,” Encounter, XII (June, 1959), 59-60 . ________ . “Why American Plays are not Literature” in Writings in America . New Jersey: Rutgers, 1960 . Bucholoh, Paul G . “Verweisende Zeichen in Tennessee Williams: Camino Real,” Anglia, LXXVII (1959), 173-203 . Callahan, Edward F . “Tennessee Williams’ Two Worlds,” North Dakota Quarterly, XXV (1957), 61-67 . Carpenter, Charles A . Jr . and Cook, Elizabeth . “Addenda to Tennes- see Williams: A Selected Bibliography,” Modern Drama, II (1959), 220-23 . Carter, H . “Yes, Tennessee, There are Southern Belles,” New York Times (October 7, 1962) . Clurman, Harold . “Tennessee Williams” in Lies Like Truth . New York: MacMillan, 1958, pp . 72-86 . ©Jack Fritscher, Ph.D., All Rights Reserved HOW TO LEGALLY QUOTE FROM THIS WORKIntroduction155 Crowie, Alexander . “American Writers Today,” Radiotjänst (1956), 166-69 . Crowther, Bosley . “Screen: Fugitive Kind,” New York Times (April 15, 1960) . ________ . “Williams’ Fugitives,” New York Times (April 24, 1960) . Dony, Nadine . “Tennessee Williams: A Selected Bibliography,” Modern Drama, I (1958), 181-91 . Dornam, Jack Howard von . “The Major Plays of Tennessee Wil- liams: 1940 to 1960,” Dissertations Abstracts, XXIII (1962, Southern California), 1371-72 . Downing, R . “From the Cat-Bird Seat” in Theatre Annual . New York: Theatre Library Association, 1956, pp . 46-50 . ________ . “Streetcar Conductor: Some Notes from Backstage” in Theatre Annual, New York: Theatre Library Association, 1947, pp . 25-33 . Downer, Alan . Recent American Drama, no . 7, University of Min- nesota Pamphlets on American Writers (1961), pp . 28-33 . Driver, Thomas F . “Accelerando,” The Christian Century, LXXV (January 29, 1958), 136-137 . Duprey, Richard A . “Tennessee Williams’ Search for Innocence,” Catholic World, CLXXXIX (1959), 191-94 . Dusenbury, Winifred . “Baby Doll and ‘The Ponder Heart,’” Modern Drama, III (1961), 393-95 . ________ . “In the South” in The Theme of Loneliness in Modern American Drama . Florida Press, pp . 134-54 . Engle, P . “Locomotive Named Reality,” The New Republic”, CXXXII (January 24, 1955), 26-27 . Falk, Signi Lenea . “The Profitable World of Tennessee Williams,” Modern Drama, I (1958), 172-80 . ©Jack Fritscher, Ph.D., All Rights Reserved HOW TO LEGALLY QUOTE FROM THIS WORK156John J. Fritscher, Ph.D. ________ . Tennessee Williams . New York: Twayne, 1961 . Fanatsu, Tatsumi . “Blanche’s Loneliness in A Streetcar Named Desire,” Kyusha American Literature, V (June, 1961), 36-41 . ________ . “A Study of Cat on a Hot Tin Roof, “ Kyusha American Literature, II (May, 1959), 33-39 . Fiedler, Leslie A . An End to Innocence: Essays on Culture and Politics . Boston: Beacon Press, 1955 . ________ . Love and Death in the American Novel . New York: Stein and Day, 1966 . Fitch, R . E . “La Mystique de la Merde,” The New Republic, CXXXV (September 3, 1956), 18 . Fogle, R . H . The Romantic Movement in American Writing . New York: Odyssey Press, 1966 . Forrey, Robert . “Tennessee Williams,” Mainstream, XV (August, 1962), 62-64 . Frenz, Horst and Ulrich Weisstein . “Tennessee Williams and His German Critics,” Symposium, XIV (1960), 258-75 . Fromm, Erich . Escape from Freedom . New York: Holt, Rinehart and Winston, 1941 . Funke, L . and J . E . Booth . “Wonderful Williams,” Theatre Arts, XLIV (January, 1962), 16-19 . Gaer, Joseph and Ben Siegel . The Puritan Heritage: America’s Roots in the Bible . New York: New American Library, 1964 . Ganz, Arthur . “The Desperate Morality of the Plays of Tennessee Williams,” American Scholar, XXXI (Spring, 1962), 278-94 . Gardiner, Harold C . “Is Williams’ Vision Myopia?” America, CIII (July 30, 1960), 495-96 . Gardner, Peter . “An Essay on Tennessee Williams,” Kyusha American ©Jack Fritscher, Ph.D., All Rights Reserved HOW TO LEGALLY QUOTE FROM THIS WORKIntroduction157 Literature, I (June, 1958), 2-8 . Gassner, John . “Tennessee Williams: Dramatist of Frustration,” Col- lege English, X (October, 1948), 1-7 . ________ . Theatre at the Crossroads . New York: Holt, Rinehart, and Wilson, 1960 . ________ . The Theatre in Our Times . New York: Crown, 1954 . Gelb, Arthur . “Williams and Kazan and the Big Walkout,” New York Times (May 1, 1960) . Gerard, Albert . “The Eagle and the Star, Symbolic Motifs in ‘The Roman Spring of Mrs . Stone,’” English Studies, XXXVI (1955), 145-53 . Gilder, Rosamond . “Glass Menagerie: Carousel” in Theatre Arts Anthology . New York: Theatre Arts Books, 1950, pp . 657-61 . Gilson, Etienne . A Gilson Reader, ed . Anton C . Pegis . New York: Doubleday Image, 1957 . Gossett, Louise Y . Violence in Recent Southern Fiction . Durham: Duke University Press, 1965 . Grotowski, Jerzy . “Towards the Poor Theatre: The Spectacle as Act of Transgression,” Tulane Drama Review (Spring, 1967) . Hartley, A . “Poetry or Pistol?” The Spectator, CXCVII (December 14, 1956), 879 . Hatcher, William . Modern America Drama . New York: Harcourt, 1949 . Hewes, Henry . “Boundaries of Tennessee” in George Oppenheimer (ed .), Passionate Playgoer . New York: Viking, 1958, pp . 250-54 . ________ . “Broadway Postscripts: Three at a Summer Game,” Sat- urday Review, XXXVI (March 28, 1953), 25-27 . ________ . “Tennessee Williams, Last of our Solid Gold Bohemians,” ©Jack Fritscher, Ph.D., All Rights Reserved HOW TO LEGALLY QUOTE FROM THIS WORK158John J. Fritscher, Ph.D. Saturday Review, XXXVI (March 28, 1953), 25-27 . ________ . and A . Knight . “Saturday Review Goes to the Movies,” Saturday Review, XXXIX (December 29, 1956), 22-24 . Highet, Gilbert . “A Memorandum,” Horizon, I (May, 1959), 54-55 . Houghton, N . “Tomorrow Arrives Today; Young Talent on Broad- way,” Theatre Arts, XXX (February, 1946), 85-86 . Hummert, Paul A . “Preparing for Godot,” Today (June, 1966) . Hunninger, B . “Tennessee Williams de vijand tijd,” De Gids, CXIII (January, 1960), 38-57 . Hurrell, John d . (ed .) . Two Modern American tragedies: Reviews and Criticism of Death of a Salesman and A Streetcar Named Desire . New York: Scribner, 1961 . Hurt, James R . “Suddenly Last Summer: Williams and Melville,” Modern Drama, III (1961), 396-400 . Isaac, Dan B . “In Defense of Tennessee Williams,” Religious Educa- tion, LIII (September-October, 1958), 452-53 . Jackson, Esther . The Broken World of Tennessee Williams . Madison: University of Wisconsin Press, 1965 . ________ . “The Emergence of a Characteristic Contemporary Form in the American Drama of Tennessee Williams,” Dissertations Abstracts, XIX (1959, Ohio State), 3053-54 . ________ . “The Problem of Form in the Drama of Tennessee Wil- liams,” College Language Association Journal, IV (1960), 8-21 . Jones, Margo . Theatre-in-the-Round . New York: Rinehart and Co ., Inc ., 1951 . Jones, Robert Emmet . “Tennessee Williams’ Early Heroines,” Mod- ern Drama, II (1959), 211-19 . Justice, Donald . “The Unhappy Fate of the ‘Poetic,’” Poetry, XCIII ©Jack Fritscher, Ph.D., All Rights Reserved HOW TO LEGALLY QUOTE FROM THIS WORKIntroduction159 (1959), 402-03 . Kael, Pauline . I Lost It at the Movies . New York: Grosset and Dun- lap’s Bantam, 1966 . Karsh, Yousuf . “Tennessee Williams,” Coronet, XLVIII (May, 1960), 62-63 . Kazan, Elia . “Notebook for A Streetcar Named Desire,” in George Oppenheimer (ed .), Passionate Playgoer . New York: Viking, 1958, pp . 342-56 . Kernan, Alvin B . “Truth and Dramatic Mode in the Modern The- atre: Chekhov, Pirandello, and Williams,” Modern Drama, I (1958), 101-14 . Kerr, Walter . “Mr . Williams” in The Theatre in Spite of Itself . New York: Simon and Schuster, 1963, pp . 247-55 . ________ . “Playwrights,” in Pieces at Eight . New York: Simon and Schuster, 1957, pp . 117-49 . Knight, Arthur . “The Williams-Kazan Axis,” Saturday Review, XXXIX (December 29, 1956), 22-23 . Krutch, Joseph Wood . Modernism in the Modern Drama . Ithaca, New York: Cornell University Press, 1953 . ________ . “Why the O’Neill Star is Rising,” New York Times Magazine (March 19, 1961) . Kuntz, Stanley (ed .) . Twentieth Century Authors; 1st Supplement . New York: Wilson, 1955, pp . 1087-89 . Langer, Suzanne K . Philosophy in a New Key: A Study in the Symbol- ism of Reason, Rite and Art . New York: New American Library of World Literature, 1954 . Lee, M . Owen . “Orpheus and Eurydice: Some Modern Versions,” Classical Journal, LVI (1961), 307-13 . Lee, W . “A Reply to M . Mannes,” Reporter, XII (June 30, 1955), 4 . ©Jack Fritscher, Ph.D., All Rights Reserved HOW TO LEGALLY QUOTE FROM THIS WORKNext >